DOPPELGANGER


Title   Cast   Director   Year Shown  Other Info    Country  Notes 




Japan, 2003, 107 min

Shown in 2004

CREDITS

dir
Kiyoshi Kurosawa
prod
Atsushi Sato, Atsuyuki Shimoda, Motoo Kawabata
scr
Kiyoshi Kurosawa, Ken Furusawa
cam
Noriyuki Mizuguchi
editor
Kiyoshi Kurosawa
mus
Hiromichi Kaori
cast
Koji Yakusho, Hiromi Nagasaku, Santamaria Yusuke, Akira Emoto

OTHER

source
WORLD SALES Mirovision, Inc, 1-151 Shinmunro 2-Ga, Chongro Gu, 110-062 Seoul, South Korea. FAX: 82-2-737-1184. EMAIL: jamie@mirovision.com.
premiere
North American Premiere

COMMENTS

Kiyoshi Kurosawa in person.
Doppelganger

With Kiyoshi Kurosawa’s masterful Pulse, the director—as well as the new Japanese horror movement that he’d helped to establish with earlier works like Sweet Home and Cure—seemed to hit a high-water mark. Where to go after striking a perfect balance between the frightening and philosophical? Doppelganger uses the classic supernatural theme of the double, à la Edgar Allan Poe, to generate harrowing amounts of dread and tension. But it’s also a surprisingly funny and heartfelt work, held together by a dazzling dual role by Koji Yakusho, longtime Kurosawa collaborator and the star of Shall We Dance? (SFIFF 1997). Yakusho plays Michio Hayasaki, a medical researcher cracking under the stress of working on his latest invention: an “artificial human body chair.” This already troubled project is thrown into total chaos by the inexplicable arrival of Hayasaki’s unruly, unscrupulous darker half. A web of sabotage, murder and general misbehavior soon ensues. All the while, Kurosawa maintains his unique cinematic space, somewhere between Andrei Tarkovsky and Tobe Hooper, although Doppelganger adds psychological slapstick, reminiscent of Charlie Kaufman’s script for Adaptation, to the mix. The result is a uniquely eccentric twist in Kurosawa’s ongoing strategy to push the stuff of genre beyond itself.

—Patrick Macias