Quase dois irmãos
Brazil / Chile / France,
2004, 102 min
Shown in 2005
CREDITS
- dir
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Lúcia Murat
- prod
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Lúcia Murat
- scr
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Lúcia Murat, Paulo Lins
- cam
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Jacob Solitrenick
- editor
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Mair Tavares
- mus
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Naná Vasconcelos
- cast
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Caco Ciocler, Flávio Bauraqui, Werner Schünemann, Antonio Pompeo, Marieta Severo, Luis Melodia
- source
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Taiga Filmes, R.J.S. Seabra, 151101- Jardim Bota, LEP: 22470 Nico, Rio De Janeiro, Brasil. EMAIL: taiga@taigafilmes.com Betina Goldman, One Eyed Films, 11 Ellerslie Rd, London W12 7BN, England. FAX: 44-20-8740-1491. EMAIL: betina@oneeyedfilms.com.
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COMMENTS
Lúcia Murat in person.
OTHER
In this story of Miguel and Jorge, Lúcia Murat (How Nice to See You Alive, SFIFF 1990) probes 50 years of violence, race and class in Brazil. Initially they are childhood friends—Miguel’s father was a liberal white musicologist; Jorge’s was a brilliant black samba musician who died without ever making a record. They meet again in the ’70s when Miguel is a political prisoner and Jorge is serving time for theft. Later, in present day Rio de Janeiro, Miguel has become a politician while Jorge organizes armed thugs in hillside shantytowns by cell phone from prison. Specific chromatic tones signal each decade as this unconventional narrative leaps from the present to the ’50s to the ’70s and back. In recent months, incriminating documents have surfaced which detail torture, disappearance and death throughout Brazil’s 21 years of military dictatorship, a history long buried and denied. Murat, herself imprisoned during that period, builds complex characters (featuring actors from the Nos do Cinema project, which trains youths from Brazil’s poorest communities for work in media and film) and refuses even an iota of romanticism. This timely film presents the stark visual contrast of the two faces of Rio de Janeiro—full Carnaval splendor and hillside slums—as Murat, with unwavering courage, grapples with brutality in its many forms, faces and rationalizations.
—Kathleen Denny
FACTOID #75
Italian screen siren and ’60s sex symbol Sophia Loren appeared in two films screened at the San Francisco International Film Festival: Ettore Scola’s A Special Day in 1977 and Francesco Rosi’s More Than a Miracle in 1981.
