Les quatres-cents coups
France,
1959, 99 min
Shown in 1973
CREDITS
- dir
-
François Truffaut
- cast
-
Jean-Pierre Léaud, Patrick Auffay, Claire Maurier, Albert Remy, Jeanne Moreau, Jean-Claude Brialy, Jacques Demy, François Truffaut
-
COMMENTS
Shown at retrospective tribute to Truffaut. François Truffaut in person.
If François Truffaut had never made another film, The 400 Blows would have earned him an enduring place in film history. Its semiautobiographical story of a lad who is unwanted by his parents, bored by school and attracted to petty crime is told with an energetic blend of anarchy and rigor, the kind of unsentimental lyricism that was to become Truffaut's trademark. As a portrait of adolescence, it is still unmatched in cinema; as a portrait of Paris through a young boy's eyes, it is a thoroughly unromanticized picture of cramped apartments, cold schoolrooms and the narrowing confines of the streets. Even snowballs have stones in them. Jean-Pierre Léaud, in his first appearance as Truffaut's alter ego Antoine Doinel, reflects the strange sobriety of watchful youth. Truffaut's real-life ordeal went far beyond that of Antoine, who escapes incarceration to a moment of truth by the sea. Truffaut escaped into art.
—Judy Bloch, PFA
FACTOID #200
Rockers, an entry at the 1978 SFIFF, was the first and only Jamaican feature film screened at the San Francisco International.
