JONESTOWN: THE LIFE AND DEATH OF PEOPLES TEMPLE


Title   Cast   Director   Year Shown  Other Info    Country  Notes 




USA, 2006, 86 min

Shown in 2006

CREDITS

dir
Stanley Nelson
prod
Stanley Nelson
cam
Michael Chin
editor
Lewis Erskine
mus
Tom Phillips

OTHER

source
Firelight Media, 2600 Tenth Street Suite 636, Berkeley, CA 94710. FAX: 510-704-9201. EMAIL: marcia@firelightmedia.org.
gga award
Golden Gate Award—Bay Area Documentary Feature

COMMENTS

Stanley Nelson in attendance.
Jonestown: The Life and Death of Peoples Temple

Veteran filmmaker Stanley Nelson traces the stunning rise and fall of Peoples Temple and its charismatic founder Jim Jones, who convinced hundreds of his followers in Jonestown, Guyana to participate in a mass “suicide” on November 18, 1978. The shocking tragedy made international headlines. More than 900 people, including more than 200 children, died in the utopian community they had tried to create in the jungles of Guyana in South America. Many of those who died were from the Bay Area as Jones held sway over a huge congregation in San Francisco from 1972 to 1977. Nelson interviews former members of Peoples Temple, including many whose family members perished in Jonestown. Initially, they felt they were part of an idealistic interracial community that could change the world. But they also reveal the fear, paranoia and beatings that were part of the traumatic experience. Jones became their father, friend, savior and god. The film includes remarkable archival footage of Jones discussing his childhood in Indiana and preaching in San Francisco, where he wielded considerable political clout due to his ability to get hundreds of his followers to appear at many local political events. There is also riveting footage of San Mateo Congressman Leo Ryan’s visit to Jonestown to investigate claims of people being held against their will and audiotape of Jones preaching, including his chilling exhortation to “die with dignity.” How was it possible for such an horrific event to take place? This disturbing portrait raises as many questions as it answers.

—Chuleenan Svetvilas