Italy / France,
1974, 118 min
Shown in 1997
CREDITS
OTHER
COMMENTS
Francesco Rosi was the recipient of the Akira Kurosawa Award. Rosi appeared in person.A cubist Godfather, an abstract mobster ballet: The intertwining of men in high places is so thorough as to make the distinction between G-men and hit-men impossible in Rosi’s powerful indictment of the collusion between CIA and mob heroin-mongers during and in the years following World War II. Lucky Luciano, like most of Rosi’s films, is centered around a real-life protagonist who remains something of a mystery, but whose power is manifest—and power (male power, money power, capitalist power) is the film’s true subject. Luciano (Gian Maria Volonté) is a character who never develops, in the dramatic sense, but rather materializes in a New York bistro and then slowly disintegrates in exile in Sicily, from where he apparently masterminds the international drug trade. Rosi’s confusion of beefy men is heightened by a media-rich, journalistic and ultimately Marxist layer of information that is exquisite to watch. A highlight is squealer Gene Giannini (Rod Steiger), whining and dining in red pajamas, living in the cleavage of his buxom lover and crawling between back-alley garbage cans to nestle and die.