Japan,
2003, 80 min
Shown in 2004
CREDITS
OTHER
COMMENTS
Hideyuki Kobayashi, Tamako Yoshida in person.Japanese puppetmaster Hideyuki Kobayashi is the founder of Koganemushi Scarabee, a puppet theater featuring animals and insects as characters, as well as puppet versions of such Japanese cinematic luminaries as Ultraman and Godzilla. Kobayashi’s venture into the horror genre mixes babe-esque cuteness (borderline teens in frilly lace and chintzy wedding dresses) with some genuinely deranged chop-mocky ambitions inspired by tooling around with early Polanski, Corman, chainsaws and puppets. Marino is a normal, happy young woman whose encounters with men are less than successful. She is also interested in dolls, which eventually leads her to Numai, the geekish assistant to reclusive artist Iwata, who designs the exclusive and expensive Marronnier line of dolls. Unfortunately, Numai has decided to take matters into his own hands and create his own designer collection. Dispatching his master, he takes a DIY approach to making human puppets and actively seeks out suitable candidates, especially the girl who previously rejected his amorous approach. A mixture of mind warp and surreal unconsciousness, Marronnier has a twisted exuberance that will remind midnight movie connoisseurs of films like Bucket of Blood and Bluebeard.
—Roger Garcia