Milou en Mai
France,
1989, 108 min
Shown in 1990
CREDITS
OTHER
COMMENTS
Film shown at the first annual gala for the San Francisco Film Society. Louis Malle and Miou-Miou appeared at the screening and gala."I have decided to be happy, because it's good for one's health." Quoting Voltaire, Milou anchors Louis Malle's wry, cynical, forgiving portrait of the bourgeoisie circa 1968 to this sanguine outlook. In a gracious country home set in the woods and vineyards of Bordeaux, the just-deceased family matriarch lies in state while, in the next room, the radio roars with news of May '68: exuberant revolution in the streets of Paris, strikes across the nation. Milou, her son, has spent a lifetime of gentle bucholic hedonism in this house; as the family descends to bury grandmère, bicker over the estate's division, eat, drink, flirt and argue over political goings-on, Milou (Michel Piccoli) marks the end of an era with philosophical acceptance and good humor. Zestful acting sparks this ensemble piece; Miou-Miou (La Lectrice, SFIFF 1989) as his daughter, an uptight matron and a panopoly of vocal, funny, worldly, naïve, embittered, idealistic characters. The casting of Paulette Dubost as the grandmother evokes Jean Renoir; she played the maid in Rules of the Game 50 years ago. Like Renoir, Malle celebrates earthly beauty, the search for happiness, however muddled and the resonant complexity of emotions, however conflicted, even while deftly skewering the deceits and pretentions of this family reunion.
—Alicia Springer