Tout un hiver sans feu
Switzerland / Belgium,
2005, 91 min
Shown in 2006
CREDITS
- dir
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Greg Zglinski
- prod
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Jean-Louis Porchet, Gérard Ruey
- scr
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Pierre-Pascal Rossi
- cam
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Witold Plociennik
- editor
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Urszula Lesiak
- mus
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Mariusz Ziemba, Jacek Grudzien
- cast
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Aurélien Recoing, Marie Matheron, Gabriela Muskala, Blerim Gjoci, Gilles Tschudi, Nathalie Boulin, Michel Voïta
- source
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Adriana Chiesa Enterprises, Via Barnaba Oriani 24/A, Rome 00197, Italy. FAX: +39-06-8068-7855. EMAIL: info@adrianachiesaenterprises.com.
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COMMENTS
Skyy Prize contender. Greg Zglinski and Gabriela Muskala in attendance.
OTHER
From the ominous opening shot of two crows soaring over the barren vistas of Switzerland’s Jura mountains, Greg Zglinski’s One Long Winter Without Fire warns us of a place where the potential for renewal is stunted, perhaps impossible. After the lives and livelihoods of Jean (a brooding Aurélien Recoing, Time Out, SFIFF 2002) and his wife Laure (Marie Matheron) are destroyed by a fire which kills their daughter and reduces their cowshed to ruins, he finds work in town while she enters a mental hospital. As Jean trudges through his lonely routine as a metalworker, he befriends Labinota (Gabriela Muskala), the plant cook, and her brother Kastriot (Blerim Gjoci), Kosovar refugees who fled Serbia after the civil war. His domestic world devastated, Jean seeks refuge in his burgeoning friendship with Labinota. Like the furnaces at the factory, she offers him a warm escape from the frosty landscape dwarfing his empty farmhouse. The pair cultivates a cautious bond as they console each other over past losses and, ultimately, Jean is forced to choose between repairing a marriage on the verge of death and pursuing this new love. Winner of the Best First Film prize at the Venice Film Festival, this Swiss-Belgian coproduction by Polish director Zglinski offers a reconciliatory view of European unity in the aftermath of one of the many ethnic conflicts in the former Yugoslavia. The central characters’ initial reluctance to trust one another, and their subsequent mutual support, serve as a metaphor for the need for global cooperation.
—Jenn Preissel
FACTOID #95
Later to find fame with the amnesia-tinged film noir update Memento, British director Christopher Nolan was nominated for the SKYY Prize in 1998 for his first feature Following. Nolan shot the film about a writer who stalks strangers, on weekends over the course of a year on a budget of $6,000.
