Bure Baruta
Yugoslavia / France / Greece / Macedonia / Turkey,
1998, 100 min
Shown in 1999
CREDITS
OTHER
The title of Goran Paskaljevic’s eleventh film is obviously, and tragically, a metaphor for the Balkans, that part of the world ever ready to explode. Individual destinies meet and clash one night in Belgrade in November, 1995. These sad, violent, romantic, absurd, tormented interactions are a reflection not so much of the civil wars in the former Yugoslavia but of the devastating effect they have on psyche and soul. Inspired by a play by the brilliant 26-year-old Macedonian writer Dejan Dukovski, The Powder Keg teems with unforgettable characters—a young man bringing the gift of a pair of artificial legs, a boxer who kills his best friend, a student revolutionary turned contraband and drug trafficker—and seethes with a scathing humor and a ferocious wit, all set against an ultra-noir portrayal of contemporary Serbia. Opening and ending his film with a sardonic, Cabaret-style cabaret sequence, Paskaljevic acknowledges the world as stage, and one full of sound and fury. Deeply rooted in the Serbian tradition of filmmaking with its dark pessimism and savage humor, The Powder Keg, winner of the 1998 European Critics Award for Best Film, is Paskaljevic’s greatest achievement.
—Michel Ciment