BLACK ROSE, SYMBOL OF SORROW; RED ROSE, SYMBOL OF LOVE


Title   Cast   Director   Year Shown  Other Info    Country  Notes 


Chornaya roza—emblema pechaly, krasnaya roza—emblema lubuy

USSR, 1990, 126 min

Shown in 1990

CREDITS

dir
Sergei Solovyov
scr
Sergei Solovyov
cam
Juri Klimenko
mus
Boris Grebenschikov
cast
Tatiana Drubich, Alexander Abdulov, Ilya Ivanov, Alexander Bashirov

OTHER

source
Afrafilm Enterprises, 8500 Wilshire Blvd. #1019, Beverly Hills, CA 90211, USA, FAX: 213-854-3002
premiere
U.S. Premiere

COMMENTS

Sergei Solovyov attended the screening.
Black Rose, Symbol of Sorrow; Red Rose, Symbol of Love

A breathtakingly irreverent and playful attempt to depict, in its director's words, "Sorrow, Love, Kitsch and Perestroika," Black Rose demonstrates more sheer love of filmmaking than anything to come along in ages. And it's certainly the first film from the USSR whose high spirits embody a total rejection of ideology. (Although, paradoxically, it manages to convey, just as powerfully as Kira Muratova's Asthenic Syndrome), the sense of weakness and aggression, somehow never distant from farce, that pervades so much of Russian life today.) As in all the films of director Sergei Solovyov (100 Days After Childhood, SFIFF 1975), the central character of his "melodramatic comedy" is a youngster. But there simply aren't any precedents anywhere in Soviet cinema for Black Rose's protagonist Mitya (Mikhail Rosanov), a 14-year-old who winds up a millionaire with a beautiful wife six years his senior and the father of a rosy-cheeked baby. With so much contemporary Soviet filmmaking mired in producing excruciatingly dull rip-offs of Tarkovsky or scheming about how to out-Hollywood Hollywood, Solovyov's tonic absurdism may point out a healthier path. It certainly makes for a very bracing viewing.

—Peter Scarlet