BROKEN ENGLISH


Title   Cast   Director   Year Shown  Other Info    Country  Notes 




USA, 2006, 96 min

Shown in 2007

CREDITS

dir
Zoe Cassavetes
prod
Jason Kliot, Joana Vicente, Andrew Fierberg
scr
Zoe Cassavetes
cam
John Pirozzi
editor
Andrew Weisblum
mus
Scratch Massive
cast
Parker Posey, Drea de Matteo, Melvil Poupaud, Justin Theroux, Peter Bogdanovich, Gena Rowlands, Tim Guinee

OTHER

source
Magnolia Pictures, 49 West 27th Street, 7th Floor, New York, NY 10001 FAX: 212-924-6742. EMAIL: mwendel@magpictures.com.
premiere
West Coast Premiere

COMMENTS

Zoe Cassavetes and Parker Posey appeared at the screening.
Broken English

Parker Posey and Melvil Poupaud form a cross-Atlantic indie-film dream team in Zoe Cassavetes’ directorial debut, a sparkling romantic comedy for latent depressives and the chronically lovelorn. Posey stars as Nora, a very Parker Posey–like young woman who’s actually, gulp!, 35ish and still single. Reminded by her kindhearted though thoughtless mother (the magnificent Gena Rowlands, Cassavetes’ real-life mom) that “the good ones are snapped up by your age,” Nora is further sent into depression by the “perfect marriage” of her best friend, Audrey (Drea de Matteo of The Sopranos). Vowing to start dating, she embarks on a string of disastrous encounters with disastrous men until she meets Julian, an attentive, handsome Frenchman (Melvil Poupaud, a frequent Raoul Ruiz collaborator and star of François Ozon’s Time to Leave). Too bad he’s leaving for France soon; too bad Nora can’t remember his last name when he does. After all, there are quite a few Julians in Paris, and she might just have to track each of them down to find him. Whether their spark can turn into a flame is one question; whether it can survive Nora’s scattered thought process is yet another. Recharging the rom-com genre with a joltingly millennial, post-Xanax outlook and the fast-paced verve of ’30s screwball classics, Cassavetes keeps things moving briskly, able to balance the demands of the genre with a few serious comments on depression, loneliness, and urban disconnections. She elicits delightful performances from Posey and Poupaud, both of whom radiate intelligence, humor and charm.

—Pam Grady