Waarom heeft niemand mij verteld dat het zo erg zou worden in Afghanistan
Holland/Namibia,
2007, 70 min
Shown in 2007
CREDITS
- dir
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Cyrus Frisch
- prod
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Cyrus Frisch
- scr
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Cyrus Frisch
- cam
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Cyrus Frisch
- editor
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Cyrus Frisch
- cast
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Cyrus Frisch
- source
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Stichting Filmkracht, Windrooskade 38, 1018 ZX Amsterdam, Holland. EMAIL: cyrusfrisch@hotmail.com.
- premiere
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West Coast Premiere
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COMMENTS
Cyrus Frisch attended.
OTHER
Told through the eyes of a traumatized Dutch soldier who has returned home from a tour of Afghanistan, Why didn’t anybody... documents the brewing tensions between native Dutch citizenry, immigrant youth and the police in a small square in the heart of Amsterdam. In this decidedly experimental work, shot almost entirely with a cell phone video camera, these tensions are made palpable through a process of accumulation. Scene after scene of youths gathering, police detentions and aimless protests are lensed from a claustrophobic, subjective viewpoint. The film also happens to be the first feature-length work shot on a cell phone to screen at the Rotterdam International Film Festival, making it the first such work to premiere at any international festival of prestige worldwide. In itself, this represents a major accomplishment, but more importantly it recharges the first-person narrative with startling intensity. Director Cyrus Frisch uses the qualities of the cell phone—its degraded video quality, its mobility, its unique cultural standing as both a public and private tool for communication—to imbue his film with themes of intense subjectivity, alienated paranoia and the immediacy of documentary. Frisch notes, “There is a lot of fear about war, the environment and the economy, and this is projected onto something smaller that we can cope with, like immigrant kids in our streets. But, at the end of the day, I think it is understandable and even healthy that we feel insecure about our future.”
—Sean Uyehara
FACTOID #10
In 1960, Federico Fellini’s La Dolce Vita, which has inspired many women to jump into fountains, was pulled from the San Francisco International Film Festival’s program by the distributor and replaced with Roberto Rossellini’s Night over Rome.
