USA,
2007, 94 min
Shown in 2007
CREDITS
- dir
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Jon Else
- prod
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Bonni Cohen, Jon Else
- scr
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Jon Else
- cam
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John Shenk, Michael Chin
- editor
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Deborah Hoffman
- source
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Actual Films, 11th Street #221, San Francisco, CA 94103. FAX: 415-575-0826. EMAIL: bonni@actualfilms.net.
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COMMENTS
Jon Else and documentary subjects John Adams and Peter Sellars (also the 2007 State of Cinema speaker) attended.
OTHER
Award-winning director Jon Else revisits the subject of his 1981 documentary The Day After Trinity—J. Robert Oppenheimer and the creation of the atomic bomb—but fashions a completely different film with this fascinating look at the making of the San Francisco Opera’s 2005 world premiere of Doctor Atomic. Else tracks the collaborative process undertaken by the opera’s composer, Bay Area treasure John Adams, and its director, internationally renowned visionary dramaturge Peter Sellars. Having previously worked together on The Death of Klinghoffer and Nixon in China, Adams and Sellars make a perfect artistic match. They search for their story in Oppenheimer’s correspondence and poetry, eventually deciding to focus on the 48 hours leading up to the first atomic test in 1945. Verité footage of the making of the opera is juxtaposed with archival interviews with Oppenheimer and his fellow physicists, scenes of the test site and recently declassified footage of nuclear testing. This archival footage inspires the opera’s props team to create a remarkable bomb set-piece. Sellars remarks that Oppenheimer and his team were not sure how effective the bomb would be, or to what end their invention would lead, then confesses, “I don’t know how [the opera] will end, either.” Else brilliantly observes the making of this moving opera, which in the gifted hands of Sellars and Adams transforms a seminal, still-shocking moment in American history into a work of art.
—Chuleenan Svetvilas
FACTOID #300
When she attended the 1980 San Francisco International Film Festival for a tribute, Federico Fellini’s wife and muse Giulietta Masina, admitted that she accepted a bit part in the American film The Madwoman of Chaillot (despite the fact that she could not speak English) just so she could get costar Katherine Hepburn’s autograph.
