SOMERSAULT IN A COFFIN


Title   Cast   Director   Year Shown  Other Info    Country  Notes 


Tabutta rövasata

Turkey, 1996, 76 min

Shown in 1998

CREDITS

dir
Dervis Zaim
prod
Ezel Akay, Dervis Zaim
scr
Dervis Zaim
cam
Mustafa Kusçu
editor
Mustafa Presheva
cast
Ahmet Ugurlu, Tuncel Kurtiz, Aysen Aydemir, Serif Erol, Fuat Onan, Ahmet Çadirci

OTHER

source
TFR, Eski Büyükolere Caol. No. 75, 80 670 Maslak, Istanbul, Turkey. FAX: 90-212-276-6276. WORLD SALES- Keriman Ulusoy, 4, rue de Veribois, 75003 Paris, France. FAX: 33-1-48-87-35-87

COMMENTS

Skyy Prize winner. Dervis Zaim in person.
Somersault in a Coffin

“We have a lot to be sad and harsh about in Turkey, but it usually doesn’t come through in our films,” says director Dervis Zaim. Yet with a mere $15,000 budget, Zaim has made that harshness come through loud and clear in this engrossing feature debut. Veteran Turkish stage actor Ahmet Ugurlu makes an unusual foray into film (for no fee, no less) to portray a homeless alcoholic named Mahsun. To find shelter from Istanbul’s freezing nights requires creativity and audacity, but Mahsun’s methods—he’s a master car thief—usually result in fierce beatings from police, who are reluctant to send him to jail since he steals from wardens as well. Scrounging meals is another challenge: Mahsun abducts of one of 50 prize peacocks displayed to the public in a local castle. The bird seems at first a chance for companionship for Mahsun, and then, alas, more basic needs prevail: He roasts the stolen bird for dinner. Eventually, to compensate for nearly 500 cups of unpaid-for tea, Mahsun is given a job cleaning toilets in a coffee house and a bed to sleep in upstairs, but his attraction to Fulya, a heroin-addicted prostitute, threatens even this modicum of salvation. The hapless Mahsun never succeeds in escaping from his own bad habits—but in his resistance and his survival there’s a comment about the society that condemns him. With its gritty neorealist theme and visual style, Somersault in a Coffin is an unflinching look at the dregs of Istanbul’s underclass that successfully blends poignant drama with black humor.